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Interstellar Proves Christopher Nolan’s Biggest Critics Wrong
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Interstellar Proves Christopher Nolan’s Biggest Critics Wrong

Interstellar celebrates its 10th birthday this week, but instead of writing about what an incredible film it still is, I’m going to say exactly why the sci-fi classic proves Christopher Nolan’s most vocal critics wrong.

Christopher Nolan is one of the most successful directors in the history of cinema, with his 12 movies earning more than $6 billion at the global box office.

It has also reached a kind of celluloid peak by combining commercial success with critical acclaim and oscar glorywhich culminated in Oppenheimer grossing nearly a billion dollars and winning seven Academy Awards.

But along the way, Nolan has also earned a reputation for making films that are cold, distant, and, above all, lacking in emotion.

Christopher Nolan on the set of Oppenheimer

Christopher Nolan directing Oppenheimer

Criticisms arise again and again, in opinions and profilesduring brutal takedownsand in endless Reddit threads where fans argue for and against.

In fact, although he praises his work in a largely positive 2014 article, The New York Times wrote that in many of his films, “human relationships can seem like an afterthought.”

This is true for some of his work. But sometimes, it’s in service of the shape matching issue. Nolan’s first three films – Following, Memento and Insomnia – were neo-noirs, a subgenre that’s not exactly filled with people pouring out their hearts.

Al Pacino and Robin Williams warm up in Insomnia.

Robin Williams and Al Pacino get hot and heavy in Insomnia

Style is as important as substance in such films, while the protagonists tend to be tough, tortured, obsessive and morally ambiguous, traits that don’t exactly lend themselves to cozy and tender narratives.

Batman isn’t much of a hugger either, as that would be strange for a guy who spends his nights fighting crime in a big Bat suit.

But Lego Batman aside, I’d say that Nolan’s Dark Knight trilogy presents the most human version of the character we’ve seen on screen. The relationship that Bruce Wayne shares with Alfred is truly touching and key to the series’ poignant conclusion.

Michael Caine drinking coffee in The Dark Knight Rises.Alfred sees Bruce at the end of Dark Knight Rises

There are moments when the reviews are solid, most clearly in Inception, where Marion Cotillard plays the quintessential “refrigerated” wife, appearing at regular intervals to give the protagonist some semblance of humanity.

But 2014’s Interstellar is the film where that assessment falls flat, as it’s full of heart and soul, wrapped up in a totally compelling blockbuster story.

The plot is about humanity in danger of extinction, so scientists are sent into space in search of habitable planets. This means Nolan can play with both time and cutting-edge practical effects, which are two of his great passions.

However, a story about the end of the world needs attention, and the script, which he co-wrote with his brother Jonathan, reflects that through the bond between pilot Joseph Cooper and his daughter Murphy Cooper.

It is a relationship that is inspired by lived experience, as Nolan revealed at the time, saying: “I have a daughter who is the same age as the character (Murph). In my brother’s draft, it was a son. I made it a daughter because Flora was about that age when I was doing it.

“As my children grew up, I had the desire to hold on to the past. You become quite melancholy because of how fast it goes. All parents talk about it, all parents experience it. So Interstellar came from a very personal place.”

At the beginning of the narrative, the Nolans quickly and cheaply introduce them as friends as much as relatives, and Coop treats Murph like a sidekick by talking about science when she thinks there’s a ghost on her bookshelf and allowing her to change the subject while they . He’s driving his truck.

For his part, Murph prepares dinner for him and hides in said truck when Coop embarks on a research mission, which annoys him but also makes him proud. And to be honest, I could have watched an entire movie of this father-daughter team investigating supernatural occurrences.

Unfortunately that is not the case, and they share a tearful farewell as he heads into space; one that becomes unbearable when Murph realizes that Coop has no idea when he will return home, so he refuses to say a proper goodbye.

Matthew McConaughey as Cooper in Interstellar

Coop heading to space

However, that’s nothing compared to the sequence that unfolds just over an hour into the proceedings. Due to a mission mishap, Coop loses 23 years, 4 months and 8 days, resulting in him receiving two decades of video messages from his son.

Coop plays them at the beginning, and through a heartbreaking performance by Matthew McConaughey, we see the emotion etched on his face as the father watches his son grow old and learns that he fell in love, had a son, and then lost him.

Finally, an adult Murph appears, calls him a son of a bitch, and suggests that now, when they’re both the same age, would be a good time for him to return.

Matthew McConaughey crying in Interstellar.

Matthew McConaughey collapses in Interstellar

Tears are now streaming down Coop’s cheeks as he realizes the error of his ways, and if they don’t cascade down yours, I suggest you You are the one who is cold and emotionless.

Admittedly, the film falls at the final hurdle, where Coop reunites with the elderly Murph in the year 2156, and the pair share an inexplicably brief “hello, how are you?” before embarking on a new adventure.

But the bond they shared is what brought him home, across time and space, and thanks to a shelf full of books. While what comes before is what ultimately counts, Christopher Nolan tells a rich, emotionally charged story about the connection between daughter and father, and how the power of that love can save the world.

For the 10th anniversary, Interstellar will be re-released in select US cities for one week starting December 6, with Full details available here. While for more information on Christopher Nolan, check out all of our Oppenheimer coverage, everything we know about Christopher Nolan’s next filmfurther Why do you finally want to make a horror movie?.