Godzilla minus one is the most successful from a financial and critical point of view godzilla launches into Toho’s 70th year of franchise, and should be the start of a whole new universe fit for Reiwa’s current era. Godzilla minus one was a fairly unique entry in Toho’s Kaiju history as it is not only the first godzilla film for the new Reiwa era, but it is also the only film in the franchise to win an Academy Award. It’s a big problem in many ways, so it’s not surprising to find that Toho is working again with writer-director Takashi Yamazaki for a new godzilla movie.

While fans’ first inclination to make such an announcement is a direct sequel to Godzilla minus oneit will be impossible to continue the story of that movie with the same kind of impact that the first movie had. It’s the burden of success that Yamazaki will have to deal with now, and the best step forward is to not have a new sequel at all. Instead, Godzilla minus one It should be the first step in a broader process godzilla universe created for the new cinematic era of Reiwa.

ComicBook.com Videos

Godzilla Minus One Should Follow MonsterVerse’s Lead

Kind of like how Legendary’s Monsterverse has taken ideas from old Toho. godzilla Showa, Heisei and Millennium to form a new universe, Toho should do the same with its next godzilla entrance. Godzilla minus one was such a success that we are likely to see a similar version of godzilla in the next movie. But rather than being a direct sequel featuring characters from the first film, the next entry should start from the beginning with a new set of characters with their own intriguing story. However, there is no need to throw the baby out with the bathwater.

This version of godzilla could lead the wave of remakes of Toho’s other monsters. Godzilla’s activity in Japan’s post-World War II era could well activate some of the other dormant monsters in the area. This type of interconnectivity has been played with in the franchise’s past, but with its global reach, Toho is in the perfect place to start its own Godzilla universe. It’s not like it clashes with Legendary’s Monsterverse either, as they are increasingly focusing on Kong and their own original Titans. This leaves Toho’s own brand monsters get reboots fans were excited to see with Hedorah, Gigan, Megalon and there are still more to appear in the modern era.

It would open the door to more creators

Godzilla minus one It was such a success that it wouldn’t be a good idea to chase it with a sequel. Instead, it should start opening the door for more creators to take on Godzilla next. One of the ways in which godzilla The franchise has managed to stay fresh after all these decades is the fact that they are taken on by different creative teams with their own vision of Godzilla. With a new universe formed around Godzilla minus oneIt is still possible to allow other creators to adopt their visions of the giant icon. Is Why Yamazaki’s version is so successful because it is a unique vision..

Creating a universe around it sounds like it would be completely opposite to allowing other unique visions, but it’s very possible since there are tons of other giant monsters that fans want to see. These other creators can come in and set new versions of their WWII-era favorites and eventually bring them together to the point where we can one day have full-fledged showdowns between all of them. But if that’s not the path they want to take, Yamazaki could push this vision forward and simply expand its scope in the upcoming films.

Godzilla Minus One Could Continue Outward Instead of Forward

In a statement shared with fans following confirmation that he would return for the next godzilla film, Takashi Yamazaki admitted that he is in a precarious position when it comes to following up such a successful entry. “Godzilla minus one Everything went too well and many obstacles arose. Thinking about it, I feel like this might be the worst draw,” Yamazaki noted. With this in mind, Yamazaki should try something new. Expanding the story to other characters across Japan would further allow all sorts of potential new stories into the mix.

One of the reasons Godzilla minus one Its focus on the very human story between Shikishima and Noriko when they found themselves in the midst of all the terror and pain of war was a success. His story has already been told, but expanding the films to new characters across Japan would expand this version of Godzilla as a result. If we care more about humanity, we will feel more of the terror that Godzilla himself poses. Those sequences of destruction caused by the kaiju were shocking because we care, and a sequel only has more to gain within this same universe.

Instead of starting over, Godzilla minus one It could be the start of a whole new universe for Toho. It would allow the Reiwa era to feel different than the previous one and would hopefully lead to better chances of success in later films.